Style.

Textile Design Student, UK

florencehamm@hotmail.com

Monday 19 March 2012

Cotton Crowds



'Medlock Mill was built in the 19th Century as a cotton mill, eventually bought by printers Percy Brothers, it was renamed Hotspur House, after the brother’s ancestral connections to Harry Hotspur. It operated as a print finishing factory under the current owner’s direction right up until 2011. It is now undergoing an organic redevelopment into cutting edge creative space for artists and makers. '


Old School/New School

Intentions
  • To combine past and present Manchester, the Cotton Industry and city center crowds.
  • Mixed media, cotton being a large influence
  • Relevant artists






                                                                               
                                       
Capturing the present












Google search '

Once a thriving industry with busy Mills. I am going to link this with the  current  busyness  of Manchester 










Collecting and making things that represent the 'Google Maps' destination shape







These photographs show the idea of being inside a crowd. The balloons represent people as well as the teardrop shape. 



                                                                               

~








Cornelia Parker

Parker's aim with her installations is to take something that we know to be volatile and strong and changes it's form to become something quiet that we can admire and think about. However, it's not the meaning behind her work that has influenced my practice, it's the aesthetics. She takes multiples of things and arranges them in a cluster, like 'Cold Dark Matter' (below). I like the way she has collected all of these individual pieces into one big crowd. The lighting allows the objects to be reflected onto the walls and ceiling. I feel this gives the idea that there are more objects and makes the installation larger.


Image of: Cold Dark Matter: An Exploded View

'Cold Dark Matter: an exploded view'

I am going to consider the use of lighting in my final piece and hope that I can achieve the same effect as Cornelia Parker. I intend to create the idea of a crowd but if the lighting is used correctly, I could give the illusion that the crowd is bigger.


'Mass- Cold Dark Matter' 1997



'Chalk Installation'


At this stage, my work is too regimented and even though it demonstrates multiples and crowds of things, it doesn't really fit to the 'crowd' I am trying to portray. My work needs to be busier and more cluttered to give the idea of being in a crowd that gives the hectic atmosphere of a crowd of people whilst responding to the cotton industry.

This is what I made





Berndnaut Smilde

Lives and works in Amsterdam. Achieved an MA in Fine Art.' In his latest project, he’s installed real Nimbus clouds in empty gallery spaces in Amsterdam.' 
Smilde measures the temperatures in a space and when the humidity is perfect, he blasts a spray of fog into the room which creates a 'cottony cloud'. This could only lasts for a few seconds and then collapses. The clouds form differently every time, just like the ones we know outside rather than in.





Dyeing

A quick water colour solution is enough to stain the cotton buds.



Drying




Sketches to plan the final outcome. My piece needs to be strong and secure whilst being able to be held well with fishing wire from the ceiling.


Evaluation so far

 FINAL PIECE



Patience and a lot of fishing wire

Not the desired shape yet, but very happy it's strong enough. Hopefully, I can maintain the strength without destroying the aesthetics.

COMPLETED


Within the crowd


I have used a light to cast a shadow onto the wall behind. This was influenced by Cornelia Parker and her  'Cold Dark Matter: an exploded view'.



No comments:

Post a Comment